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Theme and variations - but where is the theme and what are the variations? Or is the title 'Eros' more about the erotic than about love? Question unanswered by this escoets of minor works by some superb directors. The end result seems to be three streams of conscious thoughts looking for a reason to make it to the screen. With the brilliance of the three directors one would expect far more than the film delivers.

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Or is the title 'Eros' more about the erotic than about love? In a sense, he's hearkening back to his classic 'trilogy' L'Aventurra, La Notte, The Eclipsewhere a married couple is going through a crisis, and they spend a lot of time not saying anything to one another, and looking out at beautiful Italian landscapes and beaches. Then we come erow Antonioni.

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Was this review helpful? Wong Kar Wai presents the strongest of the three films in a dark story about a tailor who sublimates his desire for a courtesan Gong Li by making clothes for her - a 'servant' who finally hairy escort san diego his role. Shot is black and white the actors give it escorfs all but the story is silly and becomes boring with all the distractions Soderberg works into the weak plot.

Perhaps his segment, like Kaw-Wai's and Soderbergh's, are left up to that interpretation for a purpose.

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Some have said that the film is Antonioni's closest trip to soft-core porn.

I understood some of the implications, but I didn't get the sense of what was lost or what was gained or omitted like in the other two segments. The last shots, jump cuts, of a paper airplane flying out the window are filmed with a fine touch of whimsy.

Much ado about very little. The end result seems to be three streams of conscious thoughts looking for a reason to make it to the screen. I'll esclrts want to see all three segments sometime in the future, and maybe get a better take on what eluded me or what enticed me. But his physical mannerisms, as Downey goes through his dream to confront himself filmed in nice black and white, by the waymakes the scene all the more worthwhile.

First off, let one address the good qualities, or at least the fair, expectable qualities, that come with many of Antonioni's films. Antonioni attempts to breathe life into the old Italian movies of lover's spats and diversions and comes up with what feels like a script-less little mess escort a movie bent solely on see-through blouses and nude cavorting on beaches.

I felt the eye and mind of an artist working still during "The Dangerous Thread of Things", and my only wish was that I could understand more than what I was seeing and experiencing. The other two segments are little classics in and of themselves for the younger of escorte two filmmakers.

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Here he uses the music, electronic and with preposterous lyrics, in the more 'erotic' scenes. Eros is no exception, but I would argue that there has been some over-load of flack against the short co-written and directed by something year-old Esckrts Antonioni. Theme and variations - but where is the eroz and what are the variations? There is also a solid, painterly use of blue in one particular part of the dream scene early on in the segment. I didn't find his segment to be a waste, although it is one of his stranger, more enigmatic films in his ts escort hampshire year career, and it isn't as fascinating as it used to be.

Still, I would not have walked out during the middle of anything by Antonioni, and this, by default the weakest of the bunch, should be open to more interpretation than what Ebert described as "an embarrassment". Grady Harp 19 out of 25 found this helpful.

Arkin is hilarious in his role as a man who would much rather look out the window with binoculars at someone we do not see in the short. The other flaw is that, because of the film's short length, there isn't enough time as usual to build up the enigmatic stance of the story.

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The actors involved are all marvelous, and the style in how Kaw-Wai sets up his shots demands attention, despite it being unconventional. While I would class his directorial eye and style miles above anything on after-midnight Cinemax, the music by Enrica Antonioni and Vinicio Milani is a complete contrast of the music more associated with the director's work, which is either spellbinding in it's atmosphere, or haunting with the tulare fuck buddies of rock and roll.

Question unanswered by this triptych of minor works by some superb directors.

Wong Kar Wai delivers a touching, sad romantic tale of a tailor's apprentice who has a curiosity about a woman who does something erotic with him on a first visit hence the title fros the segment, The Hand, though it's not as pat a term as might be imagined. I wanted to know more about these people, about what they do, or what they were doing or going to. But, at the least, I didn't leave etos theater feeling entirely cheated.

But there seem to be two big flaws in the segment the nudity didn't bother me- there were actually a couple of memorable shots, one of which just a woman's foot on a bed. The acting is very natural, the music used comes in escortx just the right moments for emotional contact you almost anticipate it, and when it comes, it's powerfuland the ending wraps the story up rather fittingly.

With the brilliance of the three directors one would expect far more than the film delivers. Everything shot and acted looks sweet and tight and concentrated in the segment, still a technical pro, but what exactly is the point?

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The climax involves the two lead women one the wife, the other the stranger adulteress completely nude looking at each other on the beach. In a way, I almost wish this escorta a feature-length film as opposed to a more or less half hour short. Steven Soderberg makes a testy little script about an ad man Robert Downey, Jr in therapy with a bizarre psychiatrist Alan Arkin exploring a recurring sensual dream.

While it is bbw escort dewsbury to have this image open for interpretation, it is also frustrating in ways that weren't so in the endings to the other Antonioni 'human mysteries'.

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As a triptych the film just doesn't become airborne, despite some very high powered, first rate directors. One was with the music. The photography and interweaving of the characters is very beautiful to experience. Steven Soderbergh, likely around the time he directed the slightly off-putting Ocean's Twelve, concocted this sort of comedy of manners, as he says, "so I could have my name on darwin foxx escort poster with Antonioni.

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His segment has been claimed by almost all the critics and reviewers on this site and for the press has been claimed as a waste of time, as total soft-core porn, the ideals of an old man wanting one last grip on his libido. It goes ecorts show that Kar-Wai might be eroz most skilled at making romantic-dramas in China, or at least is the most popular. None of those films are total masterpieces, due to the fact that there are always un-even bits by the filmmakers, even in the better segments.

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